Draft:Tim Maxwell
| Submission declined on 27 September 2024 by Netherzone (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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| Submission declined on 21 September 2024 by I dream of horses (talk). This submission appears to read more like an advertisement than an entry in an encyclopedia. Encyclopedia articles need to be written from a neutral point of view, and should refer to a range of independent, reliable, published sources, not just to materials produced by the creator of the subject being discussed. This is important so that the article can meet Wikipedia's verifiability policy and the notability of the subject can be established. If you still feel that this subject is worthy of inclusion in Wikipedia, please rewrite your submission to comply with these policies. Declined by I dream of horses 6 days ago. | |
Comment: Draft and its citations do not meet the general notability guideline, nor WP:NARTIST. All claims should be backed up with significant coverage (not just short mentions) in independent, secodary reliable sources that are verifiable. Netherzone (talk) 22:26, 27 September 2024 (UTC)
- Comment: Entirely non-neutral and reads like an ad. I dream of horses (Hoofprints) (Neigh at me) 20:13, 21 September 2024 (UTC)
Tim Maxwell is an American artist recognized for his detailed drawings that blend medieval art, geometry, and influences from alternative subcultures. His work draws on historical references such as illuminated manuscripts and medieval depictions of the Last Judgment, while incorporating elements from underground music scenes, creating a fusion of past and present.
Early Life and Education
[edit]Maxwell was born in 1978 in Pennsylvania. He received a BFA from Penn State University in 2002 and later earned an MFA from the School of Visual Arts in New York City in 2004, where he focused on experimental drawing.
Artistic Style and Approach
[edit]Maxwell's drawings are noted for their intricate line work, drawing inspiration from Celtic illuminated manuscripts and medieval religious iconography. His compositions often use vanishing points and geometric forms to create surreal and complex perspectives. Recurring themes in his work include mortality, power, and chaos, expressed through a balance of precision and countercultural influences.
Notable Exhibitions and Recognition
[edit]Maxwell has held solo exhibitions at Marvelli,[1]Derek Eller, and RARE Gallery, as well as participated in group shows at[2]White Columns and Massimo Audiello Inc. His work has appeared in publications such as The New Yorker, [3]Art on Paper, and his work described by [4]The New York Times as "technically brilliant and emotionally deep," noting its precise craftsmanship and emotional resonance.
Themes and Influences
[edit]Maxwell's art explores themes of the human condition through medieval religious imagery, historical cycles, and postmodern disillusionment. His works often feature ghostly figures, reflecting the transience of human existence and the disorder of contemporary life. His influences include Piranesi's architectural labyrinths and the raw energy of punk music.
Mediums and Techniques
[edit]Maxwell primarily works in ink, utilizing varying line weights to create depth and a sense of movement. In recent years, he has begun to incorporate digital techniques, combining traditional and modern methods to further enhance the complexity of his pieces.
Legacy and Impact
[edit]Maxwell's work is noted for its meticulous attention to detail and the integration of historical motifs in a contemporary context. His drawings challenge viewers to explore the intersection between historical and modern themes, order and chaos. His approach continues to influence discussions around the role of traditional craftsmanship in modern art.
- ^ "TIM MAXWELL: September 8 - October 8, 2005." Derek Eller Gallery, https://www.derekeller.com/exhibitions/tim-maxwell/press-release. Accessed 21 Sept. 2024.
- ^ White Columns. "100% Acid Free: Neo-Narrative Works on Paper, Curated by Micaela Giovannotti." White Columns, 10 Dec. 2004, https://whitecolumns.org/exhibitions/100-acid-free-curated-by-micaela-giovannotti/. Accessed 21 Sept. 2024.
- ^ Jana, Reena. Art on Paper, vol. 9, no. 4, 2005, pp. 77–77. JSTOR, http://www.jstor.org/stable/24556419. Accessed 21 Sept. 2024.
- ^ Johnson, Ken. "Art in Review; Black Milk: Theories of Suicide." The New York Times, 16 July 2004, https://www.nytimes.com/2004/07/16/arts/art-in-review-black-milk-theories-of-suicide.html. Accessed 21 Sept. 2024.