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File:Jeanne Silverthorne Knothole 2011.jpg

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Jeanne_Silverthorne_Knothole_2011.jpg (287 × 348 pixels, file size: 139 KB, MIME type: image/jpeg)

Summary

[edit]
Non-free media information and use rationale true for Jeanne Silverthorne
Description

Sculpture by Jeanne Silverthorne, Knothole (rubber and phosphorescent pigment, 24.25" x 20.5" x 5", 2011). The image illustrates a key, long-running body of work in Jeanne Silverthorne's career that she introduced in the late 1990s, when she began producing cast-rubber, framed reliefs. These were initially based on microscopic views of human skin and glands, which she enlarged, molded and cast, and framed in ornate, black cast-latex frames, and later featured floral "still lifes", as in this work, which sometimes insects. These works have been exhibited in and collected prominent institutions and discussed widely by prominent art publications and critics.

Source

Artist Jeanne Silverthorne. Copyright held by the artist.

Article

Jeanne Silverthorne

Portion used

Entire artwork

Low resolution?

Yes

Purpose of use

The image serves an informational and educational purpose as the primary means of illustrating a key body of work in Jeanne Silverthorne's career that she introduced in the late 1990s: her cast-rubber, framed reliefs, initially based on microscopic views of human skin and glands, and later, consisting of floral "still lifes" (like this work). In both cases, she enlarged the subjects, then molded, cast, and framed them in ornate, black cast-latex frames. This work explored a her studio-as-body metaphor, emotions made into objects, and themes of vitality and mortality. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this distinct and long-running body of work, which demonstrated Silverthorne's unique exploitation of shifts in scale. Silverthorne's work of this type and this work in particular was exhibited in prominent venues, collected by major institutions, and discussed in the article and by prominent publications and critics cited in the article.

Replaceable?

There is no free equivalent of this or any other of this series by Jeanne Silverthorne, so the image cannot be replaced by a free image.

Other information

The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.

Fair useFair use of copyrighted material in the context of Jeanne Silverthorne//en.wikipedia.org/wiki/File:Jeanne_Silverthorne_Knothole_2011.jpgtrue

File history

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Date/TimeThumbnailDimensionsUserComment
current16:42, 6 July 2020Thumbnail for version as of 16:42, 6 July 2020287 × 348 (139 KB)Mianvar1 (talk | contribs){{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Jeanne Silverthorne | Description = Sculpture by Jeanne Silverthorne, ''Knothole'' (rubber and phosphorescent pigment, 24.25" x 20.5" x 5", 2011). The image illustrates a key, long-running body of work in Jeanne Silverthorne's career that she introduced in the late 1990s, when she began producing cast-rubber, framed reliefs. These were initially based on microscopic views of human skin and glands...

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